Winter Love: Difference between revisions
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Winter Love is a | "Winter Love" is the name of a segment which appeared on the radio program [http://nextbigthing.org/archive/episode.html?12172004 The Next Big Thing] on December 17 2004. | ||
== Synopsis == | |||
This is a passage from [[Duplicity]] in which Joe describes Reisling's affair with a woman he met online, disaster at a skating rink. | |||
== Interesting Facts == | |||
== Commentary == | |||
{{commentary}} | |||
=== [[User:Shiro|Shiro]] === | |||
''Question:'' What happens when you drop seven minutes of Joe Frank audio into another radio program? | |||
''Answer:'' The audience realizes how pointless and uninspired the other 53 minutes of content are. | |||
The Next Big Thing is by no means the worst program in the bubbly weekend lineup coming out of both NPR and PRI. (''Wait Wait Don't Tell Me'' wins that title hands down, if you ask me.) It's better than a lot of the arts and literature radio out there today. But compared to Joe's segment it's shallow, schizophrenic crap. So why are they well funded and broadcast on a hundred stations while most of Joe's work has never received nearly that sort of distribution? I just don't get it. | |||
== External Links == | |||
{{Online}} | |||
[[Category:Absurd_Monologue]] | |||
Revision as of 15:15, 20 February 2021
"Winter Love" is the name of a segment which appeared on the radio program The Next Big Thing on December 17 2004.
Synopsis
This is a passage from Duplicity in which Joe describes Reisling's affair with a woman he met online, disaster at a skating rink.
Interesting Facts
Commentary
Please see guidelines on commentary and share your personal thoughts in this section.
Shiro
Question: What happens when you drop seven minutes of Joe Frank audio into another radio program?
Answer: The audience realizes how pointless and uninspired the other 53 minutes of content are.
The Next Big Thing is by no means the worst program in the bubbly weekend lineup coming out of both NPR and PRI. (Wait Wait Don't Tell Me wins that title hands down, if you ask me.) It's better than a lot of the arts and literature radio out there today. But compared to Joe's segment it's shallow, schizophrenic crap. So why are they well funded and broadcast on a hundred stations while most of Joe's work has never received nearly that sort of distribution? I just don't get it.
