A Call In The Night: Difference between revisions

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|labelstyle  = background:#ddf;
|labelstyle  = background:#ddf;
|datastyle    =  
|datastyle    =  
|title = A Call In The Night
|title = [https://www.joefrank.com/shop/call-in-the-night-a/ A Call In The Night] [https://www.joefrank.com/streaming/shows/?jfsearch=call+in+the+night]
|titlestyle  =  
|titlestyle  =  
|header1 = Series
|header1 = Series
|data2 = [[WBAI And NPR Playhouse]]
|data2 = [[WBAI And NPR Playhouse]]
|header3 = Original Broadcast Date
|header3 = Original Broadcast Date
|data4  = 1979
|data4  = 2/7/[[:Category:1979|1979]]
|header5  = Cast
|header5  = Cast
|data6  = [[Beth Dixon]], [[Eric Sears]], [[Paul Mantell]], [[Rosemary Foley]], [[Avery Hart]], [[Arthur Miller]]
|data6  = [[Beth Dixon]], [[Eric Sears]], [[Paul Mantell]], [[Rosemary Foley]], [[Avery Hart]], [[Arthur Miller]], Joe Frank
|header7 = Format
|header7 = Format
|data8 =  1 hour
|data8 =  61 minutes
|header9 = Chronology
|header9 = Chronology
|label10= Preceded by:  
|label10= Preceded by:  
|label11= Followed by:  
|label11= Followed by:  
|data10 = [[American Hero Workshop, An|An American Hero Workshop]]
|data10 = [[An American Hero Workshop]]
|data11 = [[Arena]]
|data11 = [[Till You're Gone]]
|}}
|}}


''"We were in the garden, I sat in my wheelchair..."''
''The nurses rolled him around the garden in his wheelchair.''


'''A Call In The Night''' is the name of a program Joe Frank produced as part of the series [[WBAI And NPR Playhouse]].  
'''A Call In The Night''' is a program Joe Frank produced as part of the series [[WBAI And NPR Playhouse|NPR Options]]. It was originally broadcast in [[:Category:1979|1979]]


== Synopsis ==
== Synopsis ==
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The first segment of this episode is a monologue, where Joe describes someone's memory from their childhood.  A childhood fish story with heavy sound effects.  Discordant voices overlapping.  
The first segment of this episode is a monologue, where Joe describes someone's memory from their childhood.  A childhood fish story with heavy sound effects.  Discordant voices overlapping.  


The next segment alternates between scenes from a play and a panel discussion of the same play.  The play is by the (fictional) playwright "Joseph Molka" and is about a man and a woman's clumsy "date" in an unnamed city in the midst of a terrible plague outbreak.  The man and woman meet in an art museum and have a playful exchange, and it is established the man is a visitor from out of town.  The woman, whose name is "Jo" is a local resident and in a bit of exposition tells about the fatal plague which she treats largely as an inconvenience.  A stranger accosts the couple and as he talks becomes progressively more agitated and irrational- this is the effect of the plague.  The couple escapes the museum.  All throughout the play sounds of coughing are heard.
The next segment alternates between scenes from a play and a panel discussion of the same play.  The play is by the (fictional) playwright "Joseph Molka" and is about a man (Eric Sears) and a woman's (Beth Dixon) clumsy "date" in an unnamed city in the midst of a terrible plague outbreak.  The man and woman meet in an art museum and have a playful exchange, and it is established the man is a visitor from out of town.  The woman, whose name is "Jo" is a local resident and in a bit of exposition tells about the fatal plague which she treats largely as an inconvenience.  A stranger accosts the couple and as he talks becomes progressively more agitated and irrational- this is the effect of the plague.  The couple escapes the museum.  Throughout the play sounds of coughing are heard.


The panel discusses the plague, feet symbolism and the supermodernist movement.   
The panel discusses the plague, feet symbolism and the supermodernist movement.   


We return to the earlier monologue, which is apparently playwrite Molka's journal- this time, observations of his mother on vacation.
We return to the earlier monologue, which is apparently playwriter Molka's journal - this time, observations of his mother on vacation.


The play continues into the next scene, with the couple going to a Chinese restaurant.  Their familiar unease at being anglo-saxons in a Chinese-American environment is amplified when the waiter turns out to be increasingly abuse and irrational.  He too is a plague victim, and the couple escapes the restaurant.
The play continues into the next scene, with the couple going to a Chinese restaurant.  Their familiar unease at being anglo-saxons in a Chinese-American environment is amplified when the waiter turns out to be increasingly abuse and irrational.  He too is a plague victim, and the couple escapes the restaurant.
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Finally the couple reaches Jo's apartment.  The following discussion concerns itself with the sensory and religious themes in the play.  Questions of determinism and freedom.  
Finally the couple reaches Jo's apartment.  The following discussion concerns itself with the sensory and religious themes in the play.  Questions of determinism and freedom.  


The final segment is a repeating monologue: A story is repeated several times, changing slightly with each telling.  While Molka's having an operation for club feet his father dies and his mother claims his father as gone to Boston.  He travels to Boston, searches the city, picnics in a cemetery and becomes paralyzed.
The final segment is a repeating monologue: A story is repeated several times, changing slightly with each telling.  While Molka's having an operation for club feet his father dies<ref name=Slate/> and his mother claims his father has gone to Boston.  He travels to Boston, searches the city, picnics in a cemetery and becomes paralyzed.
 
== Interesting Facts ==
The text is nearly identical to [[Call In The Night, A (Remix)|A Call In The Night (Remix)]], except the sound effects are heavier in the original and the Joe's monologues are slightly modified and delivered with very different emphasis and set to different background sounds.


== Music ==  
== Music ==  
{{4:00 A.M., June; The Sky Was Green (Peter Schickele, Stanley Walden, Robert Dennis)}} [Intro]
{{That Lucky Old Sun (Yusef Lateef)}} [41:25]
{{Banda (Cyril Jackson)}} [53:25]


* "4:00 A.M., June; The Sky Was Green" - Peter Schickele, Stanley Walden & Robert Dennis (from [https://www.amazon.com/Open-Window-Peter-Schickele/dp/B01EJN14K8 "The Open Window"], 1969)
== Shared material ==
* "That Lucky Old Sun" - Yusef Lateef (from [https://www.amazon.com/Yusef-Lateefs-Detroit-Latitude-Longitude/dp/B001232LVK "Yusef Lateef's Detroit"], 1969)
* The text is nearly identical to [[A Call In The Night (Remix)]], except the sound effects are heavier in the original and the Joe's monologues are slightly modified and delivered with very different emphasis and set to different background sounds.
 
== Commentary ==
 
{{commentary}}
 
 
 
== External Links ==
 


== Additional credits ==
The original broadcast credits state: "[W]ritten and produced by Joe Frank. Directed by [[Arthur Miller]], with technical direction by [[David Rapkin]]. The performers included [[Beth Dixon]], [[Eric Sears]], Arthur Miller, [[Paul Mantell|Bernie Mantell]], [[Irene Wagner]], and Joe Frank."


== Miscellanea ==
* Joe Frank's father died on the day of one his operations for club feet.<ref name=Slate>[https://slate.com/culture/2018/01/joe-franks-last-interview-before-his-death.html "Joe Frank Signs Off"]. Mark Oppenheimer, ''Slate'', January 19, 2018.</ref>


{{WBAI And NPR Playhouse}}
== Footnotes ==
<div class="mw-references-wrap"><ol class="references">


[[Category: Absurd Monologue]]
[[Category: Absurd Monologue]]
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[[Category: Panel Discussion]]
[[Category: Panel Discussion]]
[[Category: Sound Effects]]
[[Category: Sound Effects]]
[[Category:Beth Dixon]] [[Category:Eric Sears]] [[Category:Paul Mantell]] [[Category:Rosemary Foley]] [[Category:Avery Hart]] [[Category:Arthur Miller]]
[[Category:Beth Dixon]]  
[[Category:Eric Sears]]  
[[Category:Paul Mantell]]  
[[Category:Rosemary Foley]]  
[[Category:Avery Hart]]  
[[Category:Arthur Miller]]
[[Category: 1979]]
[[Category: 1979]]
[[Category:Show|Call In]]
[[Category:Show_by_date|19790207]] {{Airdate|airdate=1979-02-07}}
[[Category:WBAI And NPR Playhouse]]
{{Series|series=WBAI And NPR Playhouse}}{{Cast|cast=[[Beth Dixon]], [[Eric Sears]], [[Paul Mantell]], [[Rosemary Foley]], [[Avery Hart]], [[Arthur Miller]], Joe Frank}}

Revision as of 02:56, 18 June 2024

A Call In The Night [1]
Series
WBAI And NPR Playhouse
Original Broadcast Date
2/7/1979
Cast
Beth Dixon, Eric Sears, Paul Mantell, Rosemary Foley, Avery Hart, Arthur Miller, Joe Frank
Format
61 minutes
Chronology
Preceded by: An American Hero Workshop
Followed by: Till You're Gone

The nurses rolled him around the garden in his wheelchair.

A Call In The Night is a program Joe Frank produced as part of the series NPR Options. It was originally broadcast in 1979

Synopsis

The first segment of this episode is a monologue, where Joe describes someone's memory from their childhood. A childhood fish story with heavy sound effects. Discordant voices overlapping.

The next segment alternates between scenes from a play and a panel discussion of the same play. The play is by the (fictional) playwright "Joseph Molka" and is about a man (Eric Sears) and a woman's (Beth Dixon) clumsy "date" in an unnamed city in the midst of a terrible plague outbreak. The man and woman meet in an art museum and have a playful exchange, and it is established the man is a visitor from out of town. The woman, whose name is "Jo" is a local resident and in a bit of exposition tells about the fatal plague which she treats largely as an inconvenience. A stranger accosts the couple and as he talks becomes progressively more agitated and irrational- this is the effect of the plague. The couple escapes the museum. Throughout the play sounds of coughing are heard.

The panel discusses the plague, feet symbolism and the supermodernist movement.

We return to the earlier monologue, which is apparently playwriter Molka's journal - this time, observations of his mother on vacation.

The play continues into the next scene, with the couple going to a Chinese restaurant. Their familiar unease at being anglo-saxons in a Chinese-American environment is amplified when the waiter turns out to be increasingly abuse and irrational. He too is a plague victim, and the couple escapes the restaurant.

The next segment is a different kind of monologue: a gallows erected on a bridge and guards charged with asking passers where they are going and killing them if they swear falsely.

Back to the play, the couple takes a cab to the woman's apartment. All seems to finally be going well with the romantic evening until the cab driver starts driving erratically, and he turns out to be another plague victim.

Finally the couple reaches Jo's apartment. The following discussion concerns itself with the sensory and religious themes in the play. Questions of determinism and freedom.

The final segment is a repeating monologue: A story is repeated several times, changing slightly with each telling. While Molka's having an operation for club feet his father dies[1] and his mother claims his father has gone to Boston. He travels to Boston, searches the city, picnics in a cemetery and becomes paralyzed.

Music

Shared material

  • The text is nearly identical to A Call In The Night (Remix), except the sound effects are heavier in the original and the Joe's monologues are slightly modified and delivered with very different emphasis and set to different background sounds.

Additional credits

The original broadcast credits state: "[W]ritten and produced by Joe Frank. Directed by Arthur Miller, with technical direction by David Rapkin. The performers included Beth Dixon, Eric Sears, Arthur Miller, Bernie Mantell, Irene Wagner, and Joe Frank."

Miscellanea

  • Joe Frank's father died on the day of one his operations for club feet.[1]

Footnotes

    1. 1.0 1.1 "Joe Frank Signs Off". Mark Oppenheimer, Slate, January 19, 2018.