Words
"Gentlemen in striped pants, cutaway morning coats, white fronted vests."
| Series | |
|---|---|
| Work In Progress | |
| Original Broadcast Date | |
| 1988 | |
| Cast | |
| Evelyn, Henry Dennis, Joe Frank | |
| Format | |
| Absurd Monologue, Improv Actors, 1 hour | |
| Preceded by: | Lines |
| Followed by: | Five Part Dissonance |
Words is the name of a program Joe Frank produced as part of the series Work In Progress. It was originally broadcast in 1988.
Synopsis
Joe in a low, distorted voice describes a upper class concert hall, stalking women at the concert. A woman in a french accent talks about being tired and wanting to escape, Joe coaches her dialog. A presidential candidate makes a speech: promising a vague but great future, immigrants mistaking an oil rig for America, middle class success for third generation immigrants. A rock star talks about being hounded and kidnapped by women, becomes an anti-feminist. Setting taxes by weighing noblemen. French actress talks about falling in love. A faulty garage door opener almost leads to nuclear war. Describing a fantasy woman. Monologuedescribing dreams: a dream of an inflating mother, being trapped on roller skates in a revolving door, eternity is a mountain whittled away by a bird, being tired of life, being attacked by seafood, painting organs, the life of a condom, wondering through Beirut, buying insurance by the hour, being interviewed about ways to kill people, being a cartoon character spun off as a plastic doll, a list of things one needs, being oiled by women in a room full of video games with a glass floor while a man reads holy books, wanting to go away, watching an old man dance with a beautiful young girl. Joe in a distorted low voice and french woman discuss being sick of each other. Monologue: meeting women in art museums. Candidate speech dissolved into woman saying she is tired.
Interesting Facts
Music
This is an incomplete record of the music in this program. If you can add more information, please do.
- "Fratres" - The 12 Cellists Of The Berlin Philharmonic Orchestra | Arvo Pärt (from Tabula Rasa, 1984)
Commentary
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