On The Edge (Remix): Difference between revisions
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== Synopsis == | == Synopsis == | ||
http://jfwiki.org/index.php?title=On_The_Edge_Remix | |||
This episode if 100% re-used material, from [[I'm Not Crazy]], [[Lies]], [[Warheads]], [[On The Edge]]; the last 30 minutes comes from 'On the edge' | |||
Joe tells of Lucille, a woman who dates veterans, first from | |||
the Vietnam War, then the Korean War, then WW2, then WW1, dressing | |||
appropriately, for each era, decorating her home and playing the music | |||
of their era. She makes each night the last night to heighten the | |||
drama. Eventually she visits military cemeteries, finds the dead more | |||
worthy of her love, sleeps on their graves.<ref name=crazy>originally aired in [[I'm Not Crazy]]</ref> | |||
11:10: 'So here's to the snappy salute, to spit and polish, | |||
the clicking of booted heels, the singing of martial odes; here's to | |||
the officers' club and a swaggering commandant, to the loving but | |||
abusive drill sergeant': Joe salutes those going off to war.<ref>This | |||
is distributed as an excerpt, [[Ode To War]]</ref><ref name=crazy /> | |||
15:30: Sounds of artillery firing. | |||
16:10: A fellow remembers covering the big anti-war Mayday | |||
demonstration in DC.<ref>Must have been 1971 | |||
https://en.wikipedia.org/wiki/1971_May_Day_protests - I was there.) A | |||
woman threw them her key so they (he and his photographer) could | |||
escape a police sweep.<ref>originally aired in [[Lies]]</ref> | |||
20:50: Joe tells of hitchhiking to the East coast, getting | |||
picked up by a hippie in a Land Rover who gets into an argument with a | |||
truck-driver who later tries to run them off the road.<ref>originally aired in [[Warheads]]</ref> | |||
26:50: Joe speculates about the nature of death, imagines 'bought | |||
the farm', which goes awry when foreclosed upon.<ref name=edge>originally aired in [[On The Edge]]</ref> | |||
34:00: Joe lambastes people who pay with checks at the | |||
supermarket, then laments the long waits at the post office, selfish | |||
football players, teenage dance shows.<ref name=edge /> | |||
38:20: A guy yells exasperatedly, 'I must add an ounce of love to | |||
everything I do...' imagines how he can control his anger and treat | |||
others more respectfully.<ref name=edge /><ref>Joe uses only part of | |||
the original.</ref> | |||
40:40: Joe speculates about the nature of death, imagines | |||
'gone fishing', which goes awry when an ash from his corncob pipe | |||
sparks a destructive fire, for which he is arrested, ends with a lynch | |||
mob calling for his blood.<ref name=edge /> | |||
44:50: Joe laments dirty public toilets, imagines organizing a | |||
hit squad to punish perpetrators by dumping a bucket of shit over | |||
their heads.<ref name=edge /> | |||
46:30: Joe laments the filth in movie theatres.<ref name=edge /> | |||
47: Joe complains about beggars.<ref name=edge /> | |||
47:50: A guy yells exasperatedly, 'I must add an ounce of love | |||
to everything I do...' imagines how he can control his anger and | |||
treat others more respectfully.<ref name=edge /> | |||
50:20: Joe speculates about the nature of death, imagines | |||
'going to the Hotel Paradise', which goes awry when guerrillas destroy | |||
the regime that protects the hotel.<ref name=edge /> | |||
56: Joe talks about death, 'Death is a dancing mirage...', | |||
describes it with many images, all the things it will do.<ref name=edge /> | |||
<div class="toccolours mw-collapsible mw-collapsed" style="width:100%; overflow:auto;"> | |||
<div style="font-weight:bold;line-height:1.6;">Legacy Synopsis</div> | |||
<div class="mw-collapsible-content"> | |||
*A woman who dates veterans from successively earlier wars. | *A woman who dates veterans from successively earlier wars. | ||
*A toast to war. Contempt for peace. Sounds of war. | *A toast to war. Contempt for peace. Sounds of war. | ||
Line 36: | Line 105: | ||
*Death as hotel paradise. | *Death as hotel paradise. | ||
*"Death is..." | *"Death is..." | ||
</div> </div> | |||
== Music == | == Music == | ||
Line 47: | Line 117: | ||
* [[I'm Not Crazy]] | * [[I'm Not Crazy]] | ||
* [[Warheads]] | * [[Warheads]] | ||
* [[ | * [[On The Edge]] | ||
* [[Lies]] | |||
== Miscellanea == | == Miscellanea == | ||
This program is different from the original [[On The Edge]]. | This program is different from the original [[On The Edge]]. | ||
== Footnotes == | |||
Revision as of 10:25, 17 August 2023
Series | |
---|---|
The Other Side | |
Original Broadcast Date | |
11/28/1999 | |
Cast | |
Joe Frank | |
Format | |
Absurd Monologue, 60 minutes | |
Preceded by: | Holy Land |
Followed by: | Predator |
When I first came to L.A. I lived in a hotel on the beach.
On The Edge (Remix) is a program Joe Frank produced as part of the series The Other Side. It was originally broadcast on November 28, 1999.
Synopsis
http://jfwiki.org/index.php?title=On_The_Edge_Remix
This episode if 100% re-used material, from I'm Not Crazy, Lies, Warheads, On The Edge; the last 30 minutes comes from 'On the edge'
Joe tells of Lucille, a woman who dates veterans, first from the Vietnam War, then the Korean War, then WW2, then WW1, dressing appropriately, for each era, decorating her home and playing the music of their era. She makes each night the last night to heighten the drama. Eventually she visits military cemeteries, finds the dead more worthy of her love, sleeps on their graves.[1]
11:10: 'So here's to the snappy salute, to spit and polish, the clicking of booted heels, the singing of martial odes; here's to the officers' club and a swaggering commandant, to the loving but abusive drill sergeant': Joe salutes those going off to war.[2][1]
15:30: Sounds of artillery firing.
16:10: A fellow remembers covering the big anti-war Mayday
demonstration in DC.Cite error: Closing </ref>
missing for <ref>
tag
20:50: Joe tells of hitchhiking to the East coast, getting picked up by a hippie in a Land Rover who gets into an argument with a truck-driver who later tries to run them off the road.[3]
26:50: Joe speculates about the nature of death, imagines 'bought the farm', which goes awry when foreclosed upon.[4]
34:00: Joe lambastes people who pay with checks at the supermarket, then laments the long waits at the post office, selfish football players, teenage dance shows.[4]
38:20: A guy yells exasperatedly, 'I must add an ounce of love to everything I do...' imagines how he can control his anger and treat others more respectfully.[4][5]
40:40: Joe speculates about the nature of death, imagines 'gone fishing', which goes awry when an ash from his corncob pipe sparks a destructive fire, for which he is arrested, ends with a lynch mob calling for his blood.[4]
44:50: Joe laments dirty public toilets, imagines organizing a hit squad to punish perpetrators by dumping a bucket of shit over their heads.[4]
46:30: Joe laments the filth in movie theatres.[4]
47: Joe complains about beggars.[4]
47:50: A guy yells exasperatedly, 'I must add an ounce of love to everything I do...' imagines how he can control his anger and treat others more respectfully.[4]
50:20: Joe speculates about the nature of death, imagines 'going to the Hotel Paradise', which goes awry when guerrillas destroy the regime that protects the hotel.[4]
56: Joe talks about death, 'Death is a dancing mirage...', describes it with many images, all the things it will do.[4]
- A woman who dates veterans from successively earlier wars.
- A toast to war. Contempt for peace. Sounds of war.
- A man talks about covering May Day peace demonstrations as a journalist. His photographer goes nuts when he sees feminist protesters. Getting trapped by cops, rescued by a woman in an apartment above. Sounds of protest.
- Joe is picked up by a hippie wearing bells while hitchhiking across the country, argues with truck drivers, gets into a chase.
- What is death; what if the expression "bought the farm" were literally true?
- Annoyances: waiting in line at supermarkets and post offices, athletes today, teenage dance shows. "What's the point of freedom if you don't let it debase you?"
- Reading positive, self-help style advice in a desperate shouting voice.
- What if "gone fishing" were true?
- Annoyances: messes in public bathrooms, litter in movies, pan-handlers.
- Death as hotel paradise.
- "Death is..."
Music
- "Evening Tango" - Roger Eno (from Voices, 1985) | YouTube [Intro]
- "Rejoicing" - Oregon (from Moon And Mind, 1979) | YouTube [20:47]
- "Paradise" - Sade (from Paradise, 1988) | YouTube [30:12]
- "Caso" - Ambitious Lovers (from Greed, 1988) | YouTube [38:10]
- "Can't Run But" - Paul Simon (from Rhythm Of The Saints, 1990) | YouTube [41:57]
Miscellanea
This program is different from the original On The Edge.