On The Edge (Remix): Difference between revisions
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== Interesting Facts == | == Interesting Facts == | ||
This program is different from the original program titled On | This program is different from the original program titled [[On The Edge]]. It shares material with On the Edge, [[I'm Not Crazy]], [[Warheads]], [[Why I Don't Love You Anymore]]. | ||
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== External Links == | == External Links == | ||
[[Category:Absurd_Monologue]] | [[Category:Absurd_Monologue]] |
Revision as of 13:22, 16 February 2021
Series | |
---|---|
The Other Side (Series) | |
Original Broadcast Date | |
11/28/1999 | |
Cast | |
Joe Frank | |
Format | |
Absurd Monologue, 1 hour | |
Preceded by: | Pilgrim |
Followed by: | Predator |
"When I first came to L.A. I lived in a hotel on the beach."
On The Edge (Remix) is the name of a program Joe Frank produced as part of the series The Other Side (Series). It was originally broadcast on November 28, 1999.
Synopsis
- A woman who dates veterans from successively earlier wars.
- A toast to war. Contempt for peace. Sounds of war.
- A man talks about covering May Day peace demonstrations as a journalist. His photographer goes nuts when he sees feminist protesters. Getting trapped by cops, rescued by a woman in an apartment above. Sounds of protest.
- Joe is picked up by a hippie wearing bells while hitchhiking across the country, argues with truck drivers, gets into a chase.
- What is death; what if the expression "bought the farm" were literally true?
- Annoyances: waiting in line at supermarkets and post offices, athletes today, teenage dance shows. "What's the point of freedom if you don't let it debase you?"
- Reading positive, self-help style advice in a desperate shouting voice.
- What if "gone fishing" were true?
- Annoyances: messes in public bathrooms, litter in movies, pan-handlers.
- Death as hotel paradise.
- "Death is... "
Interesting Facts
This program is different from the original program titled On The Edge. It shares material with On the Edge, I'm Not Crazy, Warheads, Why I Don't Love You Anymore.
Commentary
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