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== Synopsis == | == Synopsis == | ||
1:10: 'Behind the desk, there's a wall of pigeonholes, each one | |||
bearing a room number. You sign the guest register and walk outside | |||
by a small fenced-in swimming pool and pass an ice machine and a | |||
laundry cart and walk up a stairway to your room. You unlock the door | |||
and find rows of dead bodies stacked up to the ceiling. Should you | |||
call the front desk to complain? These things are hard to decide. | |||
Courage and wisdom in conflict. Rain falls on the roofs of the other | |||
motel rooms where your enemies sleep.' | |||
2:10: Joe tells a story about hearing a story about 2 professors at | |||
Caltech who developed a valuable Internet technology. (The professors | |||
and the technology are fictions.) a few months after he moved to Santa | |||
Monica in 1986. The professors fought over the patent, one | |||
fraudulently defamed the other; a student involved in the former's | |||
machinations confessed; both had their careers destroyed. | |||
3:50: Joe told the story on his show, which attracted the attention of | |||
a big-shot director, Winston, who wanted to make a movie out of it. | |||
Winston tried to cheat Joe; Joe hired a lawyer who got him a better | |||
deal. But Joe thought he was being being cheated still, because he | |||
was doing all the work in their sessions. | |||
6:40: Winston gets a wealthy producer, Gustav Weinberg, interested. | |||
Over breakfast, Weinberg recommends additions to the script which Joe | |||
dislikes but feels he has to accommodate, 'and began that insidious | |||
slide down the road of compromise' | |||
7:50: A few weeks later, at the Four Seasons, they got a Universal | |||
executive to approve the project. Joe imagined becoming wealthy, a | |||
Hollywood big-shot. | |||
10:40: Winston called, invited Joe on a trip to Auschwitz with his Zen | |||
Buddhist order. Joe accepted. | |||
12:30: 'You're alone in a motel room. You've just finished driving | |||
from a town you left that morning. Your room faces a parking lot, a | |||
field, with cars and trucks passing on the highway in the distance. | |||
You're tired and go into the bathroom, where you see glasses covered | |||
in plastic, each bar of soap individually wrapped, and a paper seal | |||
over the toilet. You gaze into the mirror and hear a toilet flush in | |||
the next room. The motels and gas stations and fast food joints all | |||
seem the same, and you get the feeling you're going nowhere, making no | |||
progress, traveling on a revolving road.' | |||
13:30: 'From the beginning and throughout the trip, I experienced | |||
recurring headaches and nausea.' After the long flight to Warsaw Joe | |||
rode the local train to Krakow. The weather was cold and wet. Joe | |||
was miserable the whole time. | |||
22:20: When Joe got back to LA, he realized that he hadn't bonded with | |||
Winston, as he had hoped. The Universal exec was fired, the film | |||
project disappeared, Joe didn't hear from Winston or Weinberg again. | |||
23:10: 'It's winter, the sky is gray, your car is pleasantly warm, | |||
your instrument panel with light green colored needles is backlit in | |||
blue, the air outside is filled with light swirling flakes of snow. | |||
Where are you going? What can you possibly accomplish? You could | |||
turn around, but what would be gained by going back? Maybe you should | |||
just stay on this road and avoid making any decision at all. | |||
'At a red light, you stop next to a storefront. In the window, you | |||
see statues of the Madonna, a copy of Leonardo's painting of the Last | |||
Supper, decorative crucifixes, rosary beads, chalices, prayer books, | |||
everything old and dusty. Later, at a truck stop, a fly falls into | |||
your cup of coffee. You lift it out with a spoon and lay it down on | |||
your napkin. It dries itself and flies away. | |||
'Back on the road, you see what appears to be the carcass of a dead | |||
animal or a baby wrapped in a blanket, and you feel a hollowness in | |||
the pit of your stomach, but it turns out to be a shredded rag, and | |||
this hallucination of seeing death on the highway repeats itself again | |||
and again.' | |||
<div class="toccolours mw-collapsible mw-collapsed" style="width:100%; overflow:auto;"> | |||
<div style="font-weight:bold;line-height:1.6;">Legacy Synopsis</div> | |||
<div class="mw-collapsible-content"> | |||
In an attempt to advance his career in Hollywood, a screenwriter finds himself implausibly in Auschwitz. As his film project -- which has nothing to do with the infamous death camp -- implodes, the screenwriter sees his life unraveling on a revolving road to nowhere. | In an attempt to advance his career in Hollywood, a screenwriter finds himself implausibly in Auschwitz. As his film project -- which has nothing to do with the infamous death camp -- implodes, the screenwriter sees his life unraveling on a revolving road to nowhere. | ||
</div></div> | |||
== Music == | == Music == |