Thank You, You're Beautiful
| Series | |
|---|---|
| Work In Progress | |
| Original Broadcast Date | |
| 1987 | |
| Cast | |
| Laura Esterman, Harvey Sachs, Joe Frank | |
| Format | |
| Scripted Actors, Absurd Monologue, Sound Effects, 58 minutes | |
| Preceded by: | At The Border |
| Followed by: | To The Bar Life |
"Hold on a second I just have to get a cigarette."
Thank You, You're Beautiful is a program Joe Frank produced as part of the series Work In Progress. It was originally broadcast in 1987.
Synopsis
It begins with an angry voicemail message left by a jilted lover (Laura Estermann).
6:20: Joe thanks the audience, tells them they're beautiful.
7:00: Joe tells about his father, the famous surgeon, who blamed his patients when they died under his care, sued them for undermining his practice. After a distraught husband of a patient who died killed him Joe searched for his murderer for so long he forgot what he was searching for.
9:20: Joe's in a railroad station, tries to buy a ticket to Denver; after an absurd exchange he drives. Many absurd events follow.
16:50: Jilted lover (JL) is back, remembers going to a bar where a woman was playing piano; the pianist tells JL about how Joe treated her.
25: Joe tells about rich man who died, his body was taken to Darjeeling to be burnt, but rains put the fire out, then the man revived.
25:40: Joe tells of being the king of Kabala (sp?) whose power correlates with the phases of the moon.
27:40: Joe tells us that everybody loves him...
29:30: The Roman army of Aelius Gallus lost its way in north Africa, miguided by his Nabatean guide, eventually made war on an inland sea.[1]
30:40: Joe visits Monte Carmel (sp?) monastery, torched during the revolution.
31:50: Joe saw a new play at the Hollywood Bowl, all scenes based on the Bible, all the actors dressed as concentration camp prisoners.
32:50: Someday we'll discover that our real mission on Earth is to host microbes.
33:50: Guy with south Asian accent (sounds like a parody to me) sings (poorly) 'What the world needs now'.
36:20: Joe was an actor performing in a play, stole an apple on the way to the theatre, couldn't remember his lines.
37: The truth about a person is what he or she hides...
37:30: Joe's uncle is trying to get into his home, physician has just helped his wife deliver twins.
38: Child's sense of time is different.
39: Repeat of 27:40
41:20: Joe went to concert, had invalid ticket.
41:40: Dutchman who fought in Indochina contracted tropical disease, saw people as skeletons.
42:10: Joe thinks about all his right hand does for him.
42:50: 'A blind power could not create an amoeba...' Joe argues for Creationism.
45: Joe drives across the country, finds things the same everywhere.
45:50: Joe loves the morning fog...
46: In 1900, remains of ancient civilization of Crete were found.[2]
47:20: Joe has dream in which he understands everything, forgets when he wakes up.
48:30: JL back again, remembering after when they went out to that Spanish place, tells him what a bad lover and companion he is, how much better lovers others are.
54:00: Joe narrates aggressive, rude driving.
The voicemail message was later put together to make up much
of the last half of 'Clement at Christmas'; some of it also appears in
'Waiting for the Bell'.
I see no unifying theme in this show.
An ex leaves a long answering machine message combining angry accusations with a desperate party invitation. Joe addresses cheering crowds. Discordant monologue against cello music: Joe's father is a famous physician who sues patients who die under his care. Joe hunts his father's killer. A church in honor of evolution. Honking at an apartment building. A hunchback in a hotel. Newspaper stories: anatomists being killed, recording the voices of the dead. Driving in the country. Forbidden math. Police raids disguised as paramedics. Meeting a ghost in a cemetery while dressed as a nun wearing an alarm clock. A rich man thought dead awakens, loses his memory and joins a religious sect. Joe is a king whose power is linked to the phases of the moon. Joe addresses a crowd: "I'm not a liar and I'm not a jerk." A roman army attacks the sea. A factory, owner who only discusses aesthetics. Scenes from the bible portrayed by actors dressed as concentration camp victims. Our reason for existence is to nurse parasites. "What the world needs now," sung in an exaggerated Indian accent. An actor survives dramatic events on the way to a play which he knows nothing about. A human being is a pile of secrets. Going to a concert and finding that your ticket is just an advertisement. A Dutchman who sees people's skeletons. All the things my right hand does for me. The earth was created all at once. Discovering the ruins of Los Angeles. Discovering the meaning of existence and forgetting it. Yelling at drivers with road noise in the background.
Music
- "World Anthem" - Charles Ditto (from In Human Terms, 1987) | YouTube [6:14]
- "Brüder Des Schattens" - Popol Vuh (from Brüder Des Schattens - Söhne Des Lichts, 1978) | YouTube [25:31]
- "What the World Needs Now" - Harvey Sachs (from Unknown, 1987) [35:17]
- "Creatures" - Startled Insects (from Curse Of The Pheromones, 1987) | YouTube [37:45]
Additional credits
The original broadcast credits state: "With Laura Esterman, Harvey Sachs, and Joe Frank. Recorded by Jack Cheeseborough and mixed by Tom Strother."
Commentary
The voicemail message was later put together to make up much of the last half of 'Clement at Christmas'; some of it also appears in 'Waiting for the Bell'.
I see no unifying theme in this show.
