Iceland (Part 1): Difference between revisions
No edit summary |
|||
| Line 19: | Line 19: | ||
| | | | ||
}} | }} | ||
''Lila always carries a big purse, more of a bag than a purse really.'' | |||
'' | |||
'''Iceland''' is the name of a program Joe Frank produced as part of the series [[Work In Progress]]. It was originally broadcast in [[1990]]. | '''Iceland''' is the name of a program Joe Frank produced as part of the series [[Work In Progress]]. It was originally broadcast in [[1990]]. | ||
| Line 26: | Line 25: | ||
== Synopsis == | == Synopsis == | ||
A description of Lila; her big purse, losing things, behavior in a movie theater and restaurant. Joe finds Professor Vogel's love letters to Lila. Rhythmic laughter in many voices. We're on the brink of social collapse, religions are crumbling, apes dressed as holy men. "Would you still love me if I were someone else?" Travel notes: flying paper at a celebration in Buenos Aires, being picked up by sister anthropologist; pushing a broken down bus through a poor countryside; an airport conveyor belt; a balloon safari with a nude English colonel and a licentious nun; climbing to the Rio statue wearing a party mask; scene in a Thai bar, sex with a singer while a piano playing queen suffers a breakdown. The search for truth, the nature of truth, "tailors of truth," truth as an infection, we should walk away from truth. Joe criticizes the music in his own show. Joe's program as a religious experience and a call for donations. Word play on whether Joe should get behind his work. More rhythmic laughter. Who is happier: a rich old man or a beggar, a rich young man or a slum dweller parolee, an aristocratic lady or a homeless woman. Joe accuses himself of saying nonsense, invites our wrath. He pines for the good old programs, begs us to end his show, admits to plagiarizing all his ideas. | A description of Lila; her big purse, losing things, behavior in a movie theater and restaurant. Joe finds Professor Vogel's love letters to Lila. Rhythmic laughter in many voices. We're on the brink of social collapse, religions are crumbling, apes dressed as holy men. "Would you still love me if I were someone else?" Travel notes: flying paper at a celebration in Buenos Aires, being picked up by sister anthropologist; pushing a broken down bus through a poor countryside; an airport conveyor belt; a balloon safari with a nude English colonel and a licentious nun; climbing to the Rio statue wearing a party mask; scene in a Thai bar, sex with a singer while a piano playing queen suffers a breakdown. The search for truth, the nature of truth, "tailors of truth," truth as an infection, we should walk away from truth. Joe criticizes the music in his own show. Joe's program as a religious experience and a call for donations. Word play on whether Joe should get behind his work. More rhythmic laughter. Who is happier: a rich old man or a beggar, a rich young man or a slum dweller parolee, an aristocratic lady or a homeless woman. Joe accuses himself of saying nonsense, invites our wrath. He pines for the good old programs, begs us to end his show, admits to plagiarizing all his ideas. | ||
== Music == | == Music == | ||
| Line 40: | Line 36: | ||
== Commentary == | == Commentary == | ||
{{commentary}} | {{commentary}} | ||
[[Category:Absurd_Monologue]] | [[Category:Absurd_Monologue]] | ||
| Line 50: | Line 41: | ||
[[Category:Absurd_Lists]] | [[Category:Absurd_Lists]] | ||
[[Category:1990]] | [[Category:1990]] | ||
[[Category: Work In Progress]] | |||
Revision as of 12:18, 19 February 2021
| Series | |
|---|---|
| Work In Progress | |
| Original Broadcast Date | |
| 1990 | |
| Cast | |
| Joe Frank | |
| Format | |
| Absurd Monologue, Narrative Monologue, Absurd Lists, 1 hour | |
| Preceded by: | I'm Not Crazy |
| Followed by: | Iceland (Part 2) |
Lila always carries a big purse, more of a bag than a purse really.
Iceland is the name of a program Joe Frank produced as part of the series Work In Progress. It was originally broadcast in 1990.
Synopsis
A description of Lila; her big purse, losing things, behavior in a movie theater and restaurant. Joe finds Professor Vogel's love letters to Lila. Rhythmic laughter in many voices. We're on the brink of social collapse, religions are crumbling, apes dressed as holy men. "Would you still love me if I were someone else?" Travel notes: flying paper at a celebration in Buenos Aires, being picked up by sister anthropologist; pushing a broken down bus through a poor countryside; an airport conveyor belt; a balloon safari with a nude English colonel and a licentious nun; climbing to the Rio statue wearing a party mask; scene in a Thai bar, sex with a singer while a piano playing queen suffers a breakdown. The search for truth, the nature of truth, "tailors of truth," truth as an infection, we should walk away from truth. Joe criticizes the music in his own show. Joe's program as a religious experience and a call for donations. Word play on whether Joe should get behind his work. More rhythmic laughter. Who is happier: a rich old man or a beggar, a rich young man or a slum dweller parolee, an aristocratic lady or a homeless woman. Joe accuses himself of saying nonsense, invites our wrath. He pines for the good old programs, begs us to end his show, admits to plagiarizing all his ideas.
Music
- "Ode to Perfume"[1] - Holger Czukay (from On The Way To The Peak Of Normal, 1981) | YouTube
- "Tzima N'arki" - Eno, Moebius and Roedelius (from After The Heat, 1978) | YouTube
- Unknown (starting at 21:18)
- Unknown (starting at 22:02)
- "Fools Gold" - The Stone Roses (from Spike Island, 1990) | YouTube
- Unknown (starting at 30:26)
Commentary
Please see guidelines on commentary and share your personal thoughts in this section.
- ↑ Online music services mislabel this track "Fragrance".
