Frankly, Joe's Branching Out: Difference between revisions

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contract by producing one radio drama a month for NPR.  "They were
contract by producing one radio drama a month for NPR.  "They were
very successful in terms of listener response, but management thought
very successful in terms of listener response, but management thought
they were too provocative.  Too much sex in them, When my contract was
they were too provocative.  Too much sex in themWhen my contract was
up, I was out.  I was very bitter and unhappy.  I had thought I was on
up, I was out.  I was very bitter and unhappy.  I had thought I was on
the cutting edge of radio, doing things that really made a difference
the cutting edge of radio, doing things that really made a difference
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For a few years, Frank tried independent producing, supported by
For a few years, Frank tried independent producing, supported by
grants from the National Endowment for the Arts and the Satellite
grants from the National Endowment for the Arts and the Satellite
Program Development Fund.  The shows, which wound up on NPR Playhouse,
Program Development Fund.  The shows, which wound up on "NPR Playhouse",
earned a number of awards.  "Still, in creating four radio programs in
earned a number of awards.  "Still, in creating four radio programs in
a year, you're not spending a lot of time or making a great deal of
a year, you're not spending a lot of time or making a great deal of
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manager] invited me to come out to L.A."
manager] invited me to come out to L.A."


The Work in Progress series began in January 1986.  Critics have
The "Work in Progress" series began in January 1986.  Critics have
described the programs as innerspace poetry, an exploration of the
described the programs as innerspace poetry, an exploration of the
mind's hidden landscape, a chronicle of the American psyche.  When
mind's hidden landscape, a chronicle of the American psyche.  When