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|header3 = Original Broadcast Date
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|label10  = Preceded by:  
|label10  = Preceded by:  
|label11 = Followed by:  
|label11 = Followed by:  
|data8 = [[:Category:Absurd Monologue|Absurd Monologue]], [[:Category:Narrative Monologue|Narrative Monologue]], 1 hour
|data8 = [[:Category:Absurd Monologue|Absurd Monologue]], [[:Category:Narrative Monologue|Narrative Monologue]], 60 minutes
|data4  = March 3, [[1996]]
|data4  = March 3, [[:Category:1996|1996]]
|title = [https://www.joefrank.com/shop/road-to-calvary-the The Road To Calvary][https://www.joefrank.com/streaming/shows/?jfsearch=The%20Road%20To%20Calvary]
|below = [https://www.joefrank.com/?s={{#invoke:URLEncode|encode|{{PAGENAME}}}} Purchase]
|data6  = Joe Frank|]]
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|data10 = [[Sacred, The|The Sacred]]
|data6  = [[Friederike Frank]], Joe Frank
|data10 = [[The Sacred]]
|data11 = [[God Only Knows]]
|data11 = [[God Only Knows]]
|data2  = [[Somewhere Out There]]
|data2  = [[Somewhere Out There]]
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''I was working in a slaughterhouse. My job was to grasp two cantilevers.''
''I was working in a slaughterhouse. My job was to grasp two cantilevers.''


'''The Road To Calvary''' is the name of a program Joe Frank produced as part of the series [[Somewhere Out There]]. It was originally broadcast on March 3, [[1996]].
'''The Road To Calvary''' is a program Joe Frank produced as part of the series [[Somewhere Out There]]. It was originally broadcast on March 3, [[:Category:1996|1996]].


== Synopsis ==
== Synopsis ==
Joe works in a slaughterhouse.  They process everything:
'sheep, cows, chickens, ducks, lambs, deer, moles, beavers, and,
inexplicably, sometimes an occasional human being: a scuba diver
wearing goggles and flippers, a Scoutmaster, a man in the bathrobe and
slippers, the small dog hanging from a leash,' and occasional worker.
The boss, Skeffington, pollutes the river, abuses the workers, does it
proudly, dares the townspeople to stop him.  Working in the
slaughterhouse stimulates the sexual appetites of the workers, who
copulate in the maintenance closet.
11:50: Joe and his girlfriend, Wilma, quit the slaughterhouse
and take jobs at the nuclear plant.  At the same time Skeffington
becomes the director of operations there, operates it as safely as he
had the slaughterhouse.  Joe accidentally overhears a cabal that sells
plutonium to Iraq.  When he confronts one of the scientists in the
cabal, he takes a cut of his money to keep silent, buys a villa on the
Costa del Sol and reforms.
24:00: Joe recalls working at NIH 'to determine the effects of
addictive substances'.  He'd drink all kinds of alcoholic beverages,
take illegal drugs, then perform difficult tasks to see how they
affected him.  One day they put him in a padded cell to study
withdrawal.
27:50: Joe tells of running out of gas in the middle of the
desert without water.  He walks, encounters an old Indian man, sits by
the fire with him for hours.  It makes no difference to Joe.
30:30: Joe describes Jesus climbing towards Calvary, imagines
a long list of trivial thoughts unto him, 'I still have some dry
cleaning I haven't picked up.  I was going to rotate the wheels on my
ox cart.  And there are a few carpentry jobs unfinished: some night
tables, a bureau, a chest of drawers, and a matched pair of
bookcases...'  He imagines fleeing, all the things he could turn the
cross into - but continues. 
34:10: Jesus sees a couple in love, their picnic, the painter
painting them, an audience watching.  He notes that he's a virgin,
will never have that sort of love, imagines how it could be.  But
forgoing crucifixion would make a mockery of his life's work.
40:20: Jesus stops at a blues club.  He sees a girl he likes,
likes the music, wants to hang out, but moves on.
41:50: Joe lists religious practices - says they'll all be
futile if no one watches, or if you don't have god in you.
45:50: Joe's mother tells Joe about her husband, Teddy's,
declining health, how badly the nurses treat him at the hospital.<ref>Joe always calls his stepfather Freddy in his shows.</ref>
<div class="toccolours mw-collapsible mw-collapsed" style="width:95%; overflow:auto;">
<div style="font-weight:bold;line-height:1.6;">Legacy Synopsis</div>
<div class="mw-collapsible-content">
Working in a packing house, sex in the presence of death, the evil plant manager.  Working in a nuclear plant, sex and electricity, plant disasters, spies. Getting rich by black mailing a spy. Working as a test subject on addictive substances.  Running out of gas in the desert and having a meaningless encounter with an Indian. Jesus on the road to Calvary - he considers alternatives, witnesses lovers with an audience, stops at a blues club.  Praying in a godless world. Woman talks about a man's illness.
Working in a packing house, sex in the presence of death, the evil plant manager.  Working in a nuclear plant, sex and electricity, plant disasters, spies. Getting rich by black mailing a spy. Working as a test subject on addictive substances.  Running out of gas in the desert and having a meaningless encounter with an Indian. Jesus on the road to Calvary - he considers alternatives, witnesses lovers with an audience, stops at a blues club.  Praying in a godless world. Woman talks about a man's illness.
</div></div>
== Music ==
{{Music-Stub}}
{{One More Night (Can)}} [Intro]{{Unidentified|id=need id starting at 27:45}}
{{Sex (The Necks)}} [45:30]<!--original KCRW broadcast, later WBEZ broadcasts, and joefrank.com versions are all identical - no {{Go Faster (Propellerheads)}} or {{Rearrange (Cinematic Orchestra)}} - receipts please-->


== Music ==  
== Additional credits ==
{{One More Night (Can)}}
The original broadcast credits state: "Created in collaboration with [[David Rapkin]]. Recorded, edited, and mixed by [[Theo Mondle]]. Music production by [[Bob Carlson]]. Special thanks to Jennifer Ferro, Carly Eiseman, and Esmé Gregson."
{{Unknown (Unknown)}} (starting at 27:45)
{{Unknown (Unknown)}} (starting at 45:30)
 


== Commentary ==
== Footnotes ==
{{commentary}}


[[Category:Absurd_Monologue]]
[[Category:Absurd_Monologue]]
[[Category:Narrative_Monologue]]
[[Category:Narrative_Monologue]]
[[Category:1996]]
[[Category:1996]]
[[Category: Somewhere Out There]]
[[Category:David Rapkin]]
[[Category:Bob Carlson]]
[[Category:Somewhere Out There]]
[[Category:Show|Road To Calvary]]
[[Category:Show_by_date|19960303]] {{Airdate|airdate=1996-03-03}}
{{Series|series=Somewhere Out There}}{{Cast|cast=Joe Frank}}

Latest revision as of 18:25, 31 October 2024

Series
Somewhere Out There
Original Broadcast Date
March 3, 1996
Cast
Friederike Frank, Joe Frank
Format
Absurd Monologue, Narrative Monologue, 60 minutes
Preceded by: The Sacred
Followed by: God Only Knows
Purchase

I was working in a slaughterhouse. My job was to grasp two cantilevers.

The Road To Calvary is a program Joe Frank produced as part of the series Somewhere Out There. It was originally broadcast on March 3, 1996.

Synopsis

Joe works in a slaughterhouse. They process everything: 'sheep, cows, chickens, ducks, lambs, deer, moles, beavers, and, inexplicably, sometimes an occasional human being: a scuba diver wearing goggles and flippers, a Scoutmaster, a man in the bathrobe and slippers, the small dog hanging from a leash,' and occasional worker. The boss, Skeffington, pollutes the river, abuses the workers, does it proudly, dares the townspeople to stop him. Working in the slaughterhouse stimulates the sexual appetites of the workers, who copulate in the maintenance closet.

11:50: Joe and his girlfriend, Wilma, quit the slaughterhouse and take jobs at the nuclear plant. At the same time Skeffington becomes the director of operations there, operates it as safely as he had the slaughterhouse. Joe accidentally overhears a cabal that sells plutonium to Iraq. When he confronts one of the scientists in the cabal, he takes a cut of his money to keep silent, buys a villa on the Costa del Sol and reforms.

24:00: Joe recalls working at NIH 'to determine the effects of addictive substances'. He'd drink all kinds of alcoholic beverages, take illegal drugs, then perform difficult tasks to see how they affected him. One day they put him in a padded cell to study withdrawal.

27:50: Joe tells of running out of gas in the middle of the desert without water. He walks, encounters an old Indian man, sits by the fire with him for hours. It makes no difference to Joe.

30:30: Joe describes Jesus climbing towards Calvary, imagines a long list of trivial thoughts unto him, 'I still have some dry cleaning I haven't picked up. I was going to rotate the wheels on my ox cart. And there are a few carpentry jobs unfinished: some night tables, a bureau, a chest of drawers, and a matched pair of bookcases...' He imagines fleeing, all the things he could turn the cross into - but continues.

34:10: Jesus sees a couple in love, their picnic, the painter painting them, an audience watching. He notes that he's a virgin, will never have that sort of love, imagines how it could be. But forgoing crucifixion would make a mockery of his life's work.

40:20: Jesus stops at a blues club. He sees a girl he likes, likes the music, wants to hang out, but moves on.

41:50: Joe lists religious practices - says they'll all be futile if no one watches, or if you don't have god in you.

45:50: Joe's mother tells Joe about her husband, Teddy's, declining health, how badly the nurses treat him at the hospital.[1]

Legacy Synopsis

Working in a packing house, sex in the presence of death, the evil plant manager. Working in a nuclear plant, sex and electricity, plant disasters, spies. Getting rich by black mailing a spy. Working as a test subject on addictive substances. Running out of gas in the desert and having a meaningless encounter with an Indian. Jesus on the road to Calvary - he considers alternatives, witnesses lovers with an audience, stops at a blues club. Praying in a godless world. Woman talks about a man's illness.

Music

This is an incomplete record of the music in this program. If you can add more information, please do.

Additional credits

The original broadcast credits state: "Created in collaboration with David Rapkin. Recorded, edited, and mixed by Theo Mondle. Music production by Bob Carlson. Special thanks to Jennifer Ferro, Carly Eiseman, and Esmé Gregson."

Footnotes

  1. Joe always calls his stepfather Freddy in his shows.